Keith Ingram · Lighting Cameraman

Self-shooting lighting cameraman, Scotland.

A complete one-person unit for documentary and factual — own camera, own lighting, own transport. I find the light, shoot it, and move fast with a lean crew, anywhere from a Glasgow interior to a Highland hillside.

Approach

One person, one van, a full unit.

A lot of factual and documentary work needs to move fast and light — a small footprint, a quick rapport with contributors, and an operator who can both light a scene and shoot it. That’s the lighting cameraman’s job, and it’s where I’m most self-sufficient.

I carry a complete kit — camera, a versatile LED and HMI lighting package, grip and audio — in the Kia PV5, so I arrive as a finished unit. No hire house, no waiting on a separate sparks call, no second vehicle.

The result is broadcast-quality images from a setup small enough to follow a story wherever it goes, on a budget that works for factual.

01

Self-shooting

I light and operate as one role — quick to set, quick to strike, fast rapport with contributors.

02

Own lighting kit

RGBWW LED panels, HMI and tungsten — a full package that travels in the van.

03

Lean & mobile

A complete unit in one electric van: camera, lights, grip, audio, transport.

04

Broadcast-ready

C300 Mk III / R5C, Canon log workflow, delivery-spec files for broadcast and online.

Selected self-shooting credits

Stated as facts.

A selection of self-shooting and lighting-cameraman work across documentary and factual. Full listings on the CV.

Documentary & Factual

  • The Future with Hannah Fry
    Self-shooting DoP · Emmy-nominated · Bloomberg
  • Scotland’s Game
    Lighting cameraman · BBC
  • Disclosure: From the Margins
    Self-shooting · BBC
  • Gerry Rafferty: Right Down the Line
    Lighting cameraman · Neon TV

Observational & Travel

  • An Clò Mòr — making-of
    Self-shooting · BBC ALBA
  • Highland crofting series
    Lighting cameraman · indie
  • NHS factual films
    Self-shooting · 2021–23
  • Charity & third-sector docs
    Self-shooting · various

Corporate & Brand Films

  • Caledonian Sleeper
    Self-shooting · 2024
  • Scottish universities
    Brand films · 2019–24
  • Digby Brown Solicitors
    Self-shooting · Proud Motion
  • Renewable-energy sector
    On-site factual · various

Questions producers ask

Honest answers, no hard sell.

What is a lighting cameraman?

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A lighting cameraman lights and operates the camera as a single role, typically self-shooting on documentary and factual. Rather than a separate DoP, gaffer and operator, one person designs the look, sets the light and shoots — ideal for lean-crew, fast-moving jobs.

Do you self-shoot, and bring your own lighting?

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Yes. I’m a complete one-person unit: Canon C300 Mk III / R5C, a full RGBWW LED, HMI and tungsten lighting kit, grip, audio and transport in a Kia PV5 van. No hire house or separate lighting call. See the kit list.

Is the footage broadcast quality?

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Yes — Canon Cinema EOS cameras, a Canon Log workflow and delivery-spec files for broadcast and online. Same image quality as a crewed shoot, from a smaller footprint.

Will you travel for documentary work?

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Yes. Glasgow-based, working across Scotland, the UK and worldwide. The van carries the whole unit — and can run a fully electric, generator-free shoot.

Can you record sound as well?

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For self-shooting factual I carry radio mics and a boom for clean contributor sound. For larger jobs I’ll bring in a dedicated sound recordist.

Got a factual shoot to crew lean?

Tell me the dates, the format and the brief. I'll come back with availability, a kit recommendation and a straight rate.